Hanoi Rocks. That Finnish band, whose impact on rock in 80's was much larger than rock scene has thought. They began their career in the beginning of 80's, but their career suddenly met the end, when the drummer, Razzle, passed away in a car accident.
It could be said that the band is lost classic, but I wanted to find their album Oriental Beat after decades. The tapes are lost, so there will not be any remixes of that album. There should be...
Oriental Beat was their second album, and their first album with international distribution. Kerrang editor, Dave Dickson, received album and wrote an article of it. It opened many doors to the band. But let's talk about content.
Motorvatin' starts the album with Sami Yaffa's bass line. If I should name one classic track on Oriental Beat, it would be Motorvatin'. Some other songs, which were played at concerts from album, were Oriental Beat, Devil Woman and Lightnin’ Bar Blues.
But to the point. I'd name lost classic, pt. 2 Teenangels Outsiders from the album. If we think of Hanoi Rocks in the beginning of their career, this track includes all their features: we are young, beautiful and rebels. Enjoy!
sunnuntai 19. tammikuuta 2014
lauantai 3. elokuuta 2013
Lost classic, pt. 1
Popular and long-lived bands usually play their classics at concerts and some classic songs gets lost. Think about Uriah Heep, when have you heard the song Return to Fantasy. Or Deep Purple's Smooth Dancer? Yes, there are lost classics, which must be found again.
I used to listen to Scorpions in early 80's. They had many hits in Uli Roth's era, but the band have made so many new hits after those days, that it is not possible to play 100 songs per concert. I want to introduce one lost classic from their album Taken by force. The name of the song is He's a Woman - She's a Man. It was also released as single in 1977.
The line-up of the band was Klaus Meine (voc), Uli Jon Roth (gt.), Rudolf Schenker (gt), Francis Buchhold (bass) and Herman Rarebell (drums). Taken by force was the last album of this line-up. They had made four records by this line-up, and this last album has features from their previous albums, but also more commercial features, which were coming to their fort-coming albums.
I read the lyrics in He's a Woman - She's a Man sexually oriented: I saw it walking lonely down the street/Cool like a cat and like a crazy dream/I'm looking twice again and can't believe/It turned around and then it looked at me/I thought "oh, no" it really couldn't be/It was a man and was a woman too/He's a woman/ She's a man.
I will not do any scientific analysis of the lyrics, but anyway I'd say, it was not easy to accept the lyrics in 70's. Scorpions were pioneers in sexuality, because they had had problems with the front picture in Virgin killer.
Enjoy this lost classic and its video.
I used to listen to Scorpions in early 80's. They had many hits in Uli Roth's era, but the band have made so many new hits after those days, that it is not possible to play 100 songs per concert. I want to introduce one lost classic from their album Taken by force. The name of the song is He's a Woman - She's a Man. It was also released as single in 1977.
The line-up of the band was Klaus Meine (voc), Uli Jon Roth (gt.), Rudolf Schenker (gt), Francis Buchhold (bass) and Herman Rarebell (drums). Taken by force was the last album of this line-up. They had made four records by this line-up, and this last album has features from their previous albums, but also more commercial features, which were coming to their fort-coming albums.
I read the lyrics in He's a Woman - She's a Man sexually oriented: I saw it walking lonely down the street/Cool like a cat and like a crazy dream/I'm looking twice again and can't believe/It turned around and then it looked at me/I thought "oh, no" it really couldn't be/It was a man and was a woman too/He's a woman/ She's a man.
I will not do any scientific analysis of the lyrics, but anyway I'd say, it was not easy to accept the lyrics in 70's. Scorpions were pioneers in sexuality, because they had had problems with the front picture in Virgin killer.
Enjoy this lost classic and its video.
keskiviikko 31. heinäkuuta 2013
Deep Purple - King of the Hard Rock (and plagiarism)
Deep Purple is one of the cornerstones of the rock. Even their latest album has reached radio hits, and their classic songs are often played by other bands. Deep Purple has been the most important band to many musicians and also to me. I investigated a little bit of the backgrounds of their songs. Deep Purple has always been open with copying others' songs, and despite the law issues, I think they have developed songs from the original versions.
Let's begin with the clear one. Listen to It's a beautiful day's Bombay Calling and Child in Time. The story behind Child in Time is quite well-known. Jon Lord had played Bombay Calling, and the band decided to change it a little bit. It was conscious decision to copy Bombay Calling, and as result they made one of the greatest songs in rock history.
Black Night has also interesting background. There are two suggestions for the riff, which were copied. I chose We Ain't Got Nothing Yet from Blues Magoos, because the riff and chorus are almost similar to Black Night.
Fireball as album is different from Deep Purple in Rock. It presented Deep Purple more progressive, but it also presented Deep Purple's version of Warpig's Rock Star. Warpig is from the same genre as Deep Purple, and the band has also admitted this plagiarism. And I'd say again, Deep Purple's version is better.
But back to It's a beautiful day. Because Deep Purple had used Bombay Calling, they used Purple's Wring That Neck in their song Don & Dewey. Practical, and this also describes, how musicians felt when their songs were copied. It was only honour to them.
Finally, a couple of words about SOTW. Yes, there are may songs, which remind the riff in Smoke on the Water, but I chose Maria Moita. This version is interesting, and I think Ritchie has talked about Maria Moita as inspiration to Smoke on the Water -riff.
When talking nowadays about plagiarism, it is good to have a look to 70's. Musicians wanted to create new music and were open to other artists' songs. And what was the result? Better music!
Let's begin with the clear one. Listen to It's a beautiful day's Bombay Calling and Child in Time. The story behind Child in Time is quite well-known. Jon Lord had played Bombay Calling, and the band decided to change it a little bit. It was conscious decision to copy Bombay Calling, and as result they made one of the greatest songs in rock history.
Black Night has also interesting background. There are two suggestions for the riff, which were copied. I chose We Ain't Got Nothing Yet from Blues Magoos, because the riff and chorus are almost similar to Black Night.
Fireball as album is different from Deep Purple in Rock. It presented Deep Purple more progressive, but it also presented Deep Purple's version of Warpig's Rock Star. Warpig is from the same genre as Deep Purple, and the band has also admitted this plagiarism. And I'd say again, Deep Purple's version is better.
But back to It's a beautiful day. Because Deep Purple had used Bombay Calling, they used Purple's Wring That Neck in their song Don & Dewey. Practical, and this also describes, how musicians felt when their songs were copied. It was only honour to them.
Finally, a couple of words about SOTW. Yes, there are may songs, which remind the riff in Smoke on the Water, but I chose Maria Moita. This version is interesting, and I think Ritchie has talked about Maria Moita as inspiration to Smoke on the Water -riff.
When talking nowadays about plagiarism, it is good to have a look to 70's. Musicians wanted to create new music and were open to other artists' songs. And what was the result? Better music!
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